Well, what better way to mark Friday 13th than with a Graham Masterton blog tour? The Coven is the second book in the Beatrice Scarlet series and this book sees Beatrice return to London after the death of her husband.
I am posting an extract as part of the blog tour today, but first here's a bit about the book:
They
say the girls were witches. But Beatrice Scarlet, the apothecary's
daughter, is sure they were innocent victims...
London,
1758: Beatrice Scarlet, the
apothecary's daughter, has found a position at St Mary Magdalene's
Refuge for fallen women. She enjoys the work and soon forms a close
bond with her charges.
The
refuge is supported by a wealthy tobacco merchant, who regularly
offers the girls steady work to aid their rehabilitation. But when
seven girls sent to his factory disappear, Beatrice is uneasy.
Their
would-be benefactor claims they were a coven of witches, beholden
only to Satan and his demonic misdeeds. But Beatrice is convinced
something much darker than witchcraft is at play...
The Coven - extract
‘Beatrice!’
said Clara. ‘What brings you to my door? Not that you aren’t
welcome.’
‘I
was wondering if you could kindly tell my fortune for me,’ said
Beatrice.
‘I
have heard about Noah, of course, and my heart bleeds for you. Do you
want to consult me about him?’
‘Partly.
But I would also like to find out what might become of us, Florence
and me. I have been told that a new parson is coming to Sutton next
week, and we will have to leave.’
‘Come
inside,’ said Clara, and ushered Beatrice and Florence into her
parlour. The room was so filled up with furniture that it was more
like a shop than a parlour – five Windsor chairs and a
brocade-covered ottoman, as well as side tables crowded with
candlesticks and figurines and framed pictures of various relatives.
Almost every inch of the walls was hung with dark oil paintings of
angels and engravings of monks and ghosts and extraordinary animals.
Florence had been in here before, but she still found some of the
pictures frightening, because she clung close to Beatrice’s skirt.
Apart
from all the furniture and pictures, the room was also filled with a
strong aroma of incense and cloves and stale tobacco smoke. Beatrice
didn’t find it unpleasant, but she always felt when she entered the
Widow Belknap’s parlour that she had entered into another world –
a shadowy, claustrophobic world of mystery and magic. If she hadn’t
been able to see the sunlit green outside the window, she could have
felt that she was being carried away in the captain’s cabin of a
supernatural ship.
‘May
I offer you tea?’ asked Clara. ‘Or I have some cider if you
prefer, and apple juice for Florence.’
‘Yes,
a glass of cider would be welcome,’ said Beatrice.
Clara
went into the kitchen, but while she was there she called out, ‘I
didn’t think you really believed in my fortune-telling, Beatrice.
Doesn’t the Lord light your path for you?’
‘He
lights it, yes, but he doesn’t give me a map of where it will lead
me tomorrow, and in the days after that.’
Clara
came back with a jug of cider and two glasses, a mug of apple juice,
and a plateful of thumbprint cookies filled with blueberry jelly.
Florence immediately detached herself from Beatrice and sat up with a
smile.
‘Nothing
like cookies to overcome your fear of the Devil,’ said Clara. She
poured out the cider, and then she said, ‘You brought a luckybone,
I trust?’
Beatrice
reached into her pocket and took out the wishbone that she had saved
from the last chicken that she had cooked. Clara held out her hand
and they both hooked their little fingers around it.
‘One,
two, three – what will we see?’ chanted Clara, and they snapped
the bone apart. Beatrice had the larger piece, and she shook her head
in amazement.
‘Every
time we do this, I win,’ she said.
Clara
tapped the side of her nose. ‘We witches, they train us to do that
from birth. It takes much more skill to lose than it does to succeed.
Now, I used the crystal ball last time to look into your future,
didn’t I? But only last week my cousin sent me a pack of new
fortune-telling cards from London. She claims they are wonderfully
exact in predicting what will happen in the months ahead.’
She
pulled out a drawer underneath the low table between them, and
produced a cardboard box of cards. They looked like ordinary playing
cards, with clubs and diamonds and hearts and spades, and royal
cards, too, but each of them had a four-line rhyme printed at the
bottom of them.
‘They
have been newly produced by John Lenthall of Fleet Street,’ said
Clara, as she shuffled them. ‘He has produced many types of cards,
but these are the first that can tell your fortune. There are only
forty-eight of them, instead of fifty-two. As your conjuror I am
commanded by the Oracle of Delphos to multiply the twelve signs of
the zodiac by the four seasons of the year, and no more than that,
which means that the four aces have had to be excluded.’
She
laid all forty-eight cards face-down on the table in six rows of
eight. Florence stopped pretending to feed Minnie with a thumbprint
cookie and watched in fascination.
Clara
said, ‘Now, Beatrice, place your right hand on your left breast and
say, “Honi soit qui mal y pense.” Then pick out a card. If you do
not wish to reveal what it says, you can return it to the table and
choose another, but whatever your lot, that second card must be
abided by. You may pick four cards altogether, one for each coming
season.’
ABOUT THE AUTHOR
Graham
Masterton was a bestselling horror
writer who has now turned his talent to crime and thrillers. He is
also the author of the bestselling Katie Maguire series, set in Cork,
Ireland.
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